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Electric poems from a long-time performance and visual poet delivered through innovative layouts and designs.
List of contents
Contents
A OTRO
THE COLLAGIST AT THE EDGE
TALISMAN
slippage i: TO THE TETRIC HEPTATHLETE
slippage ii: TO THE RENDERED EXCISION
slippage iii: TO READ WITH THE SILENT RUNNERS
THE STORY STORY
ANATOMICALLY ERECT
TONE
slippage iv: OCEAN OBELISK
BLUE WHEEL RONDO
TO THE THINGS WE NAME
CHAOS IS A FLOWER
TOPOGRAPHY FOR THE UNINITIATED
AURORA’S AURA
INVERSION
SOLSTICE
OBLIQUE OFFERING
SOME KINDA RIP IN WHAT I SEE
THE ANIMAL GAME
I WAS SO TIRED THIS MORNING AND NOW HERE I AM AWAKE KABONKADONK PUTTANESCA
ARSE POETICA
slippage v: TO NAME THE DRAWING YOU MUST READ IT FIRST THE HAPPY SKEPTIC
MECCA CONFUSA: THE T-SHIRT POEM
SEGREGATION HAIKU
THE THING ABOUT LATINX
slippage vi: TOTEM
About the author
Edwin Torres is the author of eight books of poetry, including, Ameriscopia (University of Arizona Press), Yes Thing No Thing (Roof Books), The PoPedology Of An Ambient Language (Atelos Books), and editor of the forthcoming anthology, Out Of Each Other: An Anthology Of The Body In Language (Counterpath Press). He has performed worldwide and taught his process-oriented workshop, "Brainlingo: Writing The Voice Of The Body," across the nation. Anthologies include: What is Poetry? (Just Kidding, I Know You Know): Interviews from the Poetry Project Newsletter (1983–2009), American Poets in the 21st Century: The New Poetics Vol. 2, Angels of the Americlypse: New Latin@ Writing, Post-Modern American Poetry Vol. 2, and Aloud: Voices From The Nuyorican Poets Café.
Summary
Electric poems from a long-time performance and visual poet delivered through innovative layouts and designs.
Foreword
- Galleys available
- Co-op available
- National print and online campaign with galleys and review copies to literary outlets such as Bookforum, BOMB, Brooklyn Rail, Hyperallergic, The Poetry Project Newsletter, and others.
- Readings in New York and the northeast, with possible dates across the country.
Additional text
"It is a book that . . . manages to bring a mature, managed poetics forward to the open reader through moments of graceful experimentation and a surge of intense respect for the learned identity."
—Yellow Rabbit
