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There are many skills one needs to produce a piece of dance. Bruce describes the basic foundation or ingredients of his version of Dance Theatre as: Movement, Drama, Sound and Vision. A choreographer has to study all of them to the best of their ability and learn how to combine them.There is no definitive method of choreography. Any choreographer who has a voice has learnt and executed it in way. Choreographers pick up things here and there from what they see, who they work with, and assemble a craft themselves. So much of what they do as artists is intuition and instinct. Creativity cannot be tamed and fully understood or concluded. Artists are dealing with imagination. On Choreography and Making Dance Theatre will be an invaluable insight into Bruce''s approach, both artistic and practical, as he documents his process from the beginnings of ideas to the realisation of a full-length production. Bruce provides am explanation of the range of skills he believes are required, and all that needs to be considered in the creation of dance theatre.Award-winning choreographer Mark Bruce''s aim as an artist is to tap the subconscious, our hearts; transcend our everyday lives and hopefully stumble upon some truth along the way. On Choreography and Making Dance Theatre is an invaluable artist''s guide to making innovative new dance work.>
About the author
Mark Bruce has choreographed, directed and danced internationally for over 25 years, working with Rosas, Bern Ballet, Ballet Black, Introdans, Igloo, Probe, and DJazzex among others. He formed the Mark Bruce Company in 1991. In 2014 the company won Best Independent Company in the Critics’ Circle National Dance Awards.
