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Zusatztext Jackson is an expert guide, and his heady reactions to the shows in real time make this volume so much more engaging than an ‘objective’ stage history … A terrific book—a model of acute and detailed analysis with an eye to wider societal and theatrical trends and their inevitable overlap. Informationen zum Autor Russell Jackson is Emeritus Professor of Drama at the University of Birmingham, UK. His books include The Cambridge Companion to Shakespeare on Film (CUP, 2nd edition 2007), Shakespeare Films in the Making: Vision, Production and Reception (CUP, 2007) and Shakespeare and the English-speaking Cinema (OUP, 2014). He has worked closely in rehearsal with actors and directors as text consultant on many theatre and film productions. These have included Kenneth Branagh’s Shakespeare productions on stage and radio and film, and stage productions by Michael Grandage in Sheffield and London. Klappentext Sir Trevor Nunn is one of the most versatile and accomplished directors in the English-speaking theatre. This book examines his achievements as a director of Shakespeare within the wider context of debates on the cultural politics of Britain's theatrical institutions in the twentieth and twenty-first centuries. His approach has been marked by the combination of close textual analysis with inventive theatricality, in performance spaces ranging from the large stages of the Royal Shakespeare Company and the National Theatre to the intimacy of the companies' studio theatres. The principal focus of the book is on Nunn's work as director of Shakespeare during his artistic directorship of the RSC and the NT. The four core chapters focus in detail on major productions that can be said to have challenged and changed perceptions of the plays, including The Winter's Tale (RSC, 1969), the 'Roman Plays' season (RSC, 1972) and All's Well That Ends Well (RSC, 1982), and the studio productions of Macbeth (RSC 1976), Othello (RSC, 1989) and The Merchant of Venice (NT, 1999). The study draws on archive material, as well as reviews and other published commentary, including that of actors who have worked with him. Vorwort The first study of the work of an internationally recognised director by leading scholar in the field Zusammenfassung Sir Trevor Nunn is one of the most versatile and accomplished directors in the English-speaking theatre. This book examines his achievements as a director of Shakespeare within the wider context of debates on the cultural politics of Britain’s theatrical institutions in the twentieth and twenty-first centuries. His approach has been marked by the combination of close textual analysis with inventive theatricality, in performance spaces ranging from the large stages of the Royal Shakespeare Company and the National Theatre to the intimacy of the companies’ studio theatres. The principal focus of the book is on Nunn’s work as director of Shakespeare during his artistic directorship of the RSC and the NT. The four core chapters focus in detail on major productions that can be said to have challenged and changed perceptions of the plays, including The Winter’s Tale (RSC, 1969), the ‘Roman Plays’ season (RSC, 1972) and All’s Well That Ends Well (RSC, 1982), and the studio productions of Macbeth (RSC 1976), Othello (RSC, 1989) and The Merchant of Venice (NT, 1999). The study draws on archive material, as well as reviews and other published commentary, including that of actors who have worked with him. Inhaltsverzeichnis List of IllustrationsAcknowledgementsA Note on the TextSeries PrefacePrefaceIntroduction: ‘controlled flamboyance’ and Leavisite analysis1: The Main Stage at Stratford, 1968-722: The Main Stage at Stratford – after the ‘Romans’3: Chamber Shakespeare at the Other Place4: The National Theatre and beyondAppendix: Shakespeare Productions directed by Trevo...
