Kathleen Collins - The Black Essai Film

A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.

Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.

Geetha Ramanathan is Professor of Comparative Literature at West Chester University, where she teaches and writes on comparative literature, film and women's studies, including feminist and African American film. Her most recent book is The Female in German Modernisms: The Visual Turn (2019).

List of contents

List of Illustrations

Acknowledgements

Introduction

1.The New York Black Independents

2.The Black Essai Film

3.Ambiguities of Auteurship

4.The Magical Marvellous Modern

5.Sacred Doubles

6.Film Across Drama and Art

7.Black Feminist Culture and Black Masculinity

Afterword

List of Films

Bibliography

About the author

Geetha Ramanathan is Professor of Comparative Literature at West Chester University where she teaches Comparative Literature, film and Women's Studies (including Feminist Film and African American Film). Her interests include modernist, feminist and third world literature.

Product details

• Authors: Geetha Ramanathan, Geetha (West Chester University) Ramanathan, Ramanathan Geetha
• Publisher: Edinburgh University Press
• Languages: English
• Product format: Paperback / Softback
• Released: 31.12.2018
• EAN: 9781474440691
• ISBN: 978-1-4744-4069-1
• No. of pages: 145
• Series: Visionaries Thinking Through F; Visionaries; Visionaries Thinking Through F; Visionaries: Thinking Through; Visionaries: The Work of Women
• Subjects: Humanities, art, music > Art > Theatre, ballet; Social sciences, law, business > Social sciences (general); Amerikanische Geschichte, Geschichte allgemein und Weltgeschichte, Soziale und ethische Themen, Filmproduktion: Produktionstechniken, PERFORMING ARTS / Film & Video / Direction & Production, PERFORMING ARTS / Film & Video / History & Criticism, Pop Arts / Pop Culture, PERFORMING ARTS / Film & Video / Reference