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Informationen zum Autor Robert Sacré (1938-2021) worked in Africa in the 1960s and '70s, where he took an interest in Western African music and the roots of African American music. He taught the "Story of African American Music & Literature" at the University of Liege. He conducted field trips nearly every year since 1975 to the US, researching blues, R&B, black gospel, and folk styles. He is author of articles in journals of musicology, entries in blues and gospel encyclopedias, and books for many publishers in America and abroad. William R. Ferris is the Joel R. Williamson Eminent Professor of History Emeritus at the University of North Carolina at Chapel Hill and the senior associate director emeritus of its Center for the Study of the American South. The former chairman of the National Endowment for the Humanities (1997-2001), Ferris has written or edited ten books, created fifteen documentary films, and his most recent work Voices of Mississippi won two Grammy Awards for Best Liner Notes and for Best Historical Album in 2019. Klappentext Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and Dick ShurmanFifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liège in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time.Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts--"Origins and Traditions" and "Comparison with Other Regional Styles and Mutual Influence"--the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues....
