Fr. 189.00

Mythologizing Performance

English · Hardback

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Description

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"Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin's acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record"--

List of contents










Introduction

Part I: Epic Genre and Technique

1. Epic as Genre

2. Similes and Performance

3. Formulas and Speeches: The Usefulness of Parry's Method

4. Wrapping Homer Up: Cohesion, Discourse, and Deviation in the Iliad

Part II: Mythic Hymnists, Historical Performers

5. Apollo's Kithara and Poseidon's Crash-Test: Ritual and Contest in the Evolution of Greek Aesthetics

6. The Senses of an Ending: Myth, Ritual, and Poetic Exodia in Performance

7. Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo

8. Rhapsodizing Orpheus

9. Golden Verses: Voice and Authority in the Tablets

Part III: Hesiodic Constructions

10. Hesiod and the Didactic Double

11. Hesiod's Metanastic Poetics

12. Hesiod, Odysseus, and the Instruction of Princes

13. Pulp Epic: The Catalogue and the Shield

Part IV: The Backward Look

14. Keens from the Absent Chorus: Troy to Ulster

15. Telemachus and the Last Hero Song

16. Until It Ends: Varieties of Iliadic Anticipation

17. Distant Landmarks: Homer and Hesiod


About the author










Richard P. Martin is the Antony and Isabelle Raubitschek Professor of Classics at Stanford University. Among his many books are Classical Mythology and The Language of Heroes.


Summary

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face...

Product details

Authors Richard P. Martin
Publisher Cornell University Press
 
Languages English
Product format Hardback
Released 31.03.2018
 
EAN 9781501713095
ISBN 978-1-5017-1309-5
No. of pages 540
Series Myth and Poetics II
Myth and Poetics II
Subject Humanities, art, music > Linguistics and literary studies > General and comparative literary studies

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