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Focuses on the aural elements which combine with moving images.
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.
Key Features
. Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.
. Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.
. Provides a new platform for discourse on how aural elements combine with moving images.
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.
Larry Sider, Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
List of contents
- The Soundscape in Michelangelo Antonioni's Cinema, Roberto Calabretto;
- An Interview with Hans Peter Kuhn, Hans Peter Kuhn;
- Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design, Emre Çaglayan;
- Internal Soundscapes: An Interview with Dan Jones, Dan Jones;
- From Sync to Surround: Walt Disney and its Contribution to the Aesthetics of Music in Animation, Laura Lazarescu-Thois;
- Engagement versus Immersion, Stephen Deutsch;
- Unplugging the Matrix, Steve Rafter.
About the author
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.Dominic Power is an independent writer and film historian.
Summary
Volume 8 Issue 1. The New Sountrack Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. Provides a new platform for discourse on how aural elements combine with moving images.
