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This book is a comprehensive approach to interpreting Frank O'Hara's highly influential work. Frank O'Hara's poetry, initially inspired by the Modernist avant-garde, underwent a radical change around 1960. This change parallels the decline of Abstract Expressionism and the rise of Pop Art. The book includes historical contextualization as well as practical criticism. The author analyzes how Frank O'Hara could be regarded. As a Modernist poet, or as one who realizes that the aesthetic of High Modernism is on the wane, and is preparing himself for a paradigmatic change. Earlier poems are best seen as Modernist/avant-gardist, while the later ones as no less vanguard forays into uncharted territory. While the book takes up issues such as mimeticism, realism and abstraction in both poetry and painting, the boredom of the new as seen by Walter Benjamin, and the representational potential of the camp aesthetic, the main emphasis is on practical criticism, modes of reading O'Hara's oeuvre.
List of contents
The New York School of Poets - Frank O'Hara - Abstract Expressionism - Pop Art - Postmodernism and Poetic Subjectivity - Consumerism - Heroism and Hero Worship - Mourning and Melancholia - Autobiography and Poetic Invention - The Ends of Modernism - Modernism and the Avant-Garde - Reading Frank O'Hara
About the author
Tadeusz Pióro is an Associate Professor at the Institute of English studies at the University of Warsaw. His main research interest is the theory and practice of avant-garde literature. He has published articles on the New York School poets, Language poets, Ralph Ellison and James Joyce.
