Read more
Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugène Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugène Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Édouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them - to each other and to Gorey's works - are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet. Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century.
About the author
Erin Monroe
With contributions by Robert Greskovic, Arnold Arluke & Kevin Shortsleeve
Summary
"Published on the occasion of the exhibition Gorey's Worlds, organized by the Wadsworth Atheneum Museum of Art."
Additional text
"The title . . . "Gorey’s Worlds" is just right for a project that aims to lay out the genealogy of Gorey’s artistic imagination, by juxtaposing his own work with works from his collection of drawings, prints, photographs, and paintings by some of the artists who were important to him. . . . In the history of the visual and literary arts Gorey’s is a relatively small achievement. But it will endure. Gorey took the exact measure of his imagination. He let it rip—but with the utmost care."---Jed Perl, New York Review of Books
Report
"Gorey's Worlds illuminates the complex creations of artist Edward Gorey by examining his art collection, his love of dance, his linguistic play, and his images of animals. Going beyond well-trodden analyses, this book provides new perspectives on the illustrator and his work."--Heather Campbell Coyle, Delaware Art Museum
