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Suitable for camera operators and directors who want to move the camera well, this title helps to learn various aspects of Steadicam operating. It moves from the physics and balancing of a Steadicam, through a line dances and practice shots, to the personal aspects of filmmaking - how individual operators make creative and practical decisions.
List of contents
INTRODUCTION, Cut. Print. Great. The history of the Steadicam is pretty well known, How to begin SECTION ONE: the Steadicam® and its parts, Wearing the Steadicam®,Basic Physics, Getting to know the rig: Basic Steadicam terms, Build the Steadicam, Four balancing acts, Static balance, Dynamic balance, SECTION TWO: getting started SECTION THREE: beyond the basics SECTION FOUR: Steadicam® and filmmaking SECTION FIVE: movement techniques SECTION SIX: framing techniques SECTION SEVEN: getting to work SECTION EIGHT: extending the range of movement SECTION NINE: extending the range of options Steadicam® and vehicles SECTION TEN: the business side of Steadicam SECTION ELEVEN: unique environments and requirements SECTION TWELVE: the experienced operator CONCLUSION.
About the author
Holway is the co-inventor of the Steadicam® and is known as one of the premier Steadicam® instructors in the world. His workshops are routinely sold out, leaving a lengthy line of eager participants. He has spent over 25 years as a Steadicam® operator and served as the first president of the Steadicam® Operator's Association and remains an active member today.
Hayball has over 10 years experience as a Steadicam® operator and instructor. An experienced cinematographer, she has authored a number of bestselling titles in photography.
Summary
Suitable for camera operators and directors who want to move the camera well, this title helps to learn various aspects of Steadicam operating. It moves from the physics and balancing of a Steadicam, through a line dances and practice shots, to the personal aspects of filmmaking - how individual operators make creative and practical decisions.
