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Informationen zum Autor Tomlinson Holman is President of TMH Corporation and one of the prominent figures in audio today. He is widely known for his development of new products and processes in the field of audio and video, including the THX Sound System, Home THX (with his patents licensed to more than 45 companies), and the THX Digital Mastering program developed while he was Corporate Technical Director at Lucasfilm, Ltd. He has won career achievement awards from CAS and the Custom Electronics Design and Installation Association. Mr. Holman is a Fellow of the Audio Engineering Society, the British Kinematograph Sound and Television Society, and the Society of Motion Picture and Television Engineers. He is Co-Chairman of the Audio Engineering Society Task Force on High-Capacity Audio. Tomlinson Holman is President of TMH Corporation and one of the prominent figures in audio today. He is widely known for his development of new products and processes in the field of audio and video, including the THX Sound System, Home THX (with his patents licensed to more than 45 companies), and the THX Digital Mastering program developed while he was Corporate Technical Director at Lucasfilm, Ltd. He has won career achievement awards from CAS and the Custom Electronics Design and Installation Association. Mr. Holman is a Fellow of the Audio Engineering Society, the British Kinematograph Sound and Television Society, and the Society of Motion Picture and Television Engineers. He is Co-Chairman of the Audio Engineering Society Task Force on High-Capacity Audio. Zusammenfassung Offers an introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. This book presents basic principles with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room. Inhaltsverzeichnis Preface to the Third Edition, Introduction, Chapter 1. Objective Sound, Chapter 2. Psychoacoustics, Chapter 3. Audio Fundamentals, Chapter 4. Capturing Sound, Chapter 5. Microphone Technicalities, Chapter 6. Handling the Output of Microphones, Chapter 7. Production Sound, Chapter 8. Sync, Sank, Sunk, Chapter 9. Transfers, Chapter 10. Sound Design, Chapter 11. Editing, Chapter 12. Mixing, Chapter 13. From Print Masters to Exploitation, Appendix I. Working with Decibels, Appendix II. Filmography, Appendix III. The Eleven Commandments of filmsound, Appendix IV. Bibliography, Glossary, Index, About the Author, Companion Website Page, Instructions for accompanying DVD...
