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Narrative Faith engages with the faith and doubt dynamic to explore the moral visions expressed by Dostoevsky, Camus, and Singer in their works and their use of doubt-generating narrative techniques to portray characters struggling with faith.
List of contents
Acknowledgments
Preface
Introduction: Narrative Doubt: Modulation and Tension as Storytelling Strategies
Chapter One: The Devoted G--v: Reconstruction and Rehabilitation in Dostoevsky's Demons
Chapter Two: The Reserved Rieux: Love and Anguish in Camus's The Plague
Chapter Three: The Refracting Shapiro: Rebellion and Creativity in Singer's The Penitent
Chapter Four: Narrative Faith: Structural Complexity and Moral Vision
Instead of a Conclusion: Confession, Revision, Hope
Bibliography
Index
About the author
David Stromberg is a postdoctoral scholar of literary studies at the Hebrew University of Jerusalem.
Summary
The classic underwater adventure available in Puffin Classics.
A mission to rid the seas of a monstrous creature becomes a terrifying nightmare when Professor Aronnax, Conseil and Ned Land are thrown overboard. The huge marine animal which has haunted the water is no living beast, but a spectacular man-made vessel, and the three men find themselves the helpless prisoners of Captain Nemo. Resigned to their fate, they begin a miraculous journey on the submarine ship which can travel through waters never before explored. For the Professor, at least, this voyage is one he would not have missed for the world.