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Throughout history, comedians and clowns have enjoyed a certain freedom to speak frankly often denied to others in hegemonic systems. More recently, professional comedians have developed platforms of comic license from which to critique the traditional political establishment and have managed to play an important role in interrogating and mediating the processes of politics in contemporary society. This collection will examine the questions that arise when of comedy and critique intersect by bringing together both critical theorists and comedy scholars with a view to exploring the nature of comedy, its potential role in critical theory and the forms it can take as a practice of resistance.
List of contents
Introduction: Setting the Agenda, Krista Bonello Rutter Giappone, Fred Francis and Iain MacKenzie / PART I: COMEDY, CRITIQUE AND RESISTANCE / Diagrams of Comic Estrangement, James Williams / 'Against the Assault of Laughter': Differentiating Critical and Resistant Humour, Nicholas Holm / Can We Learn the Truth from Lenny Bruce? A Careful Cognitivism about Satire, Dieter Declercq / Laughter, Liturgy, Lacan and Resistance to Capitalist Logic, Francis Stewart / Humitas: Humour as Performative Resistance, Kate Fox / PART II: LAUGHTER AS RESISTANCE? / Conformist Comedians: Political Humour in the Eighteenth-Century Dutch Republic, Ivo Nieuwenhuis / First World War Cartoon Comedy as Criticism of British Politics and Society, Pip Gregory / A Suspended Pratfall: Mimesis and Slapstick in Contemporary Art, Levi Hanes / 'Life' in Struggle: The Indifferent Humour of Beckett's Prose Heroes, Selvin Yaltir / 'Holiday in Cambodia': Punk's Acerbic Comedy, Russ Bestley / 'What Can't Be Cured Must Be Endured': The Postcolonial
About the author
Denisse Vásquez-Guevara is assistant professor in the communication department at Cal Poly Pomona, and associate professor in the School of Communication and Department of Biosciences at the University of Cuenca.Krista Bonello Rutter Giappone is a visiting senior lecturer in English at the University of Malta, a research fellow at the University of Kent, and a research assistant in refugee law with the Max Planck Institute for Social Anthropology. Giappone has published in the areas of digital games, critical theory, and the history of subcultures and is coeditor of Comedy and Critical Thought (Rowman and Littlefield International 2018).
Summary
First volume to reflect on both the comedy within critical theory and the role of comedians aspractitioners of critique.
