Fr. 130.00

Cambridge Companion to Dracula

English · Hardback

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Description

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A new collection of essays that offers exciting new critical approaches to the most famous vampire in literature and film.

List of contents










Notes on Contributors; Note on the Text; Chronology; Introduction Roger Luckhurst; Part I. Dracula in the Gothic Tradition: 1. Dracula's Pre-History: The Advent of the Vampire Nick Groom; 2. Dracula's Debts to the Gothic Romance William Hughes; 3. Dracula and the Late Victorian Gothic Revival Alex Warwick; Part II. Contexts: 4. Dracula and the Occult Christine Ferguson; 5. Dracula and Psychology Roger Luckhurst; 6. Dracula and Sexology Heike Bauer; 7. Dracula in the Age of Mass Migration David Glover; 8. Dracula and the East Matthew Gibson; 9. Dracula's Blood Anthony Bale; 10. Dracula and Women Carol Senf; Part III. New Directions: 11. Dracula Queered Xavier Aldana Reyes; 12. Dracula and New Horror Theory Mark Blacklock; 13. Transnational Draculas Ken Gelder; Part IV. Adaptations: 14. Dracula on Stage Catherine Wynne; 15. Dracula on Film 1931-1959 Alison Peirse; 16. Dracula on Film and TV, 1960 to present Stacey Abbott; Guide to Further Reading; Index

About the author

Roger Luckhurst is Professor in Modern and Contemporary Literature at Birkbeck College, University of London. His previous publications include The Mummy's Curse: The True Story of a Dark Fantasy (2012) and critical studies of the films The Shining (2013) and Alien (2014). He has also co-editied books including The Fin de Siècle: A Reader in Cultural History c.1880-1900 (2000) and Transactions and Encounters: Science and Culture in the Nineteenth Century (2002). He has edited numerous Gothic classics, including Stevenson's Strange Case of Jekyll and Hyde (2006), Bram Stoker's Dracula (2011) ,and H. G. Wells's The Time Machine (2017).

Summary

This celebrated Gothic novel is explored through essays providing critical, historical, anthropological, philosophical and intellectual contexts that serve to further the understanding and appreciation of Dracula in all its many guises. Together the essays offer exciting new critical approaches to the most famous vampire in literature and film.

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