Fr. 190.00

Artists and Patrons in Post-War Britain - Essays By Postgraduate Students At the Courtauld Institute of Art

English · Hardback

Shipping usually within 3 to 5 weeks

Description

Read more

List of contents

1: Introduction; 2: British Tachisme in the post-war period, 1946–1957; 3: A measure of leaven: the early Gregory Fellowships at the University of Leeds; 4: ‘A place for living art’: the Whitechapel Art Gallery 1952–1968; 5: The triumph of ‘The New American Painting’: MoMA and Cold War cultural diplomacy; 6: ‘Place’

About the author

Courtauld Institute of Art, Margaret Garlake

Summary

This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.