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List of contents
1. Introduction: "The joy of destruction is also the joy of creation" Part I: Sacrifice and the Body Politic 2. Odysseus Unbound: Sovereignty and Sacrifice in Hunger and the Dialectic of Enlightenment 3. Heart of the Matter: Bodies without Organs and Biopolitics in Organ Transplant Films 4. Clôtural Sacrifice: Liminal Representation of Race in Film 5. Sacrifice, Violence and the Limits of Moral Representation in Haneke’s Caché 6. Bodies of Estrangement: Mel Gibson, Sacrifice and History Part II: Sacrifice, Transcendence, Self-Transcendence 7. Faith, Sacrifice, and the Earth’s Glory in Terrence Malick’s The Tree of Life 8. "When I swallow his heart and lungs, Jesus is pleased": The Transmediation of Sacrifice in The Journals of Knud Rasmussen 9. Anatomy of Melancholia 10. "We will die and will be free": A Gnostic Reading of The Double Life of Véronique 11. A Sacrificial Economy of the Image: Lyotard on Cinema
About the author
Costica Bradatan is Professor of Humanities at Texas Tech University, USA, and Honorary Research Professor of Philosophy at the University of Queensland, Australia. He has authored or edited several books, including Dying for Ideas: The Dangerous Lives of the Philosophers (2015) and Philosophy as a Literary Art: Making Things Up (2014).
Camil Ungureanu is Lecturer in Political Theory at the Universitat Pompeu Fabra, Spain. He is co-editor of Law, State and Religion in the New Europe (2012) and Jϋrgen Habermas' Theory of Law and Democracy (2011). His work has been published in a number of journals including the Journal of Political Philosophy and the European Journal of Political Theory.
Summary
Cinema has a long history of engaging with the theme of sacrifice. Given its capacity to stimulate the imagination and resonate across a wide spectrum of human experiences, sacrifice has always attracted filmmakers. It is on screen that the new grand narratives are sketched, the new myths rehearsed, and the old ones recycled. Sacrifice can provide stories of loss and mourning, betrayal and redemption, death and renewal, destruction and re-creation, apocalypses and the birth of new worlds.
The contributors to this volume are not just scholars of film but also students of religion and literature, philosophers, ethicists, and political scientists, thus offering a comprehensive and interdisciplinary approach to the relationship between cinema and sacrifice. They explore how cinema engages with sacrifice in its many forms and under different guises, and examine how the filmic constructions, reconstructions and misconstructions of sacrifice affect society, including its sacrificial practices.
This book was originally published as a special issue of Angelaki: journal of the theoretical humanities.
