Fr. 160.00

Jewish Ghetto and the Visual Imagination of Early Modern Venice

English · Hardback

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Description

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This book explores how the Jewish ghetto engaged the sensory imagination of Venice in complex and contradictory ways to shape urban space and reshape Christian-Jewish relations.

List of contents










Introduction; 1. Margins as laboratories of urban planning; 2. Enclosures as topographies of vision; 3. Windows as sites of visual disturbance; 4. Walls as boundaries of the night; Conclusion.

About the author

Dana E. Katz is Joshua C. Taylor Associate Professor of Art History and Humanities at Reed College, Oregon. Her research explores representations of religious difference in early modern Italy, with a particular focus on Jewish-Christian relations. Katz is the author of The Jew in the Art of the Italian Renaissance (2008), as well as articles in The Art Bulletin, Art History, and Jewish History.

Summary

Informed by contemporary and current theories of space and histories of the senses, this book explores the urban form of the Jewish ghetto in Venice from the sixteenth to the eighteenth century. It will be essential reading for academic scholars, and graduate and undergraduate students in the arts, humanities, and social sciences.

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