Read more
Zusatztext This is an essential book on prisons in the global age of mass incarceration! the fine-grain deep damage that a crude system inflicts on human beings and their families. This is also one of the great books on theater! the shared and inexplicable phenomenon that shifts perceptions! changes lives in real time! and instigates collective reimaginings of moral action! hierarchy! and purpose in the face of unexpected vulnerabilities and difficult truth-telling. Prison theater is perhaps the one place where theater works as it did in early societies! with lives at stake! piercing questions of justice! and the soul of a nation or a community or a family hanging in the balance. Professor Ashley Lucas! herself the daughter of a father who spent more than 20 years in Texas prisons! writes with stunning insight! attentive to the nuance and detail of process within large institutions and informal groups! alert to the circumstances in which emotional life is transfigured and revealed! and the conditions under which it is buried alive. A deeply inspiring book that demonstrates hundreds of positive! healing! and creative ways forward from a misbegotten culture of failure and shame. Informationen zum Autor Ashley Lucas is Associate Professor of Theatre and Drama at the University of Michigan, Ann Arbor, and Director of the Prison Creative Arts Project. She and Jodie Lawston co-edited the book Razor Wire Women: Prisoners, Scholars, Artists, and Activists (SUNY Press 2011), and they coauthor a blog by the same name. Lucas also wrote the play Doin' Time: Through the Visiting Glass , which she has performed as a one-woman show since 2004. Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films , and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla , Star Wars , and Battlestar Galactica . His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama's Critical Companions series. Patrick Lonergan is Professor of Drama and Theatre Studies at University of Galway, Ireland. Klappentext Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book examines the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills, create social change, and maintain hope. Ashley Lucas's writing offers a distinctive blend of storytelling, performance analysis, travelogue, and personal experience as the child of an incarcerated father. Distinct examples of theatre performed in prisons are explored throughout the main text and also in a section of Critical Perspectives by international scholars and practitioners.A critical survey of theatrical performances inside prisons in nine countries with an examination of the ways in which incarcerated people use theatre to build skills and accomplish goals beyond those achieved in performance. Zusammenfassung Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely inter...
