Rosset - My Life in Publishing and How I Fought Censorship

Genet…Beckett…Burroughs…Miller…Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.

Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.

Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.

At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.

Illustrated with black-and-white photographs; includes index

List of contents

Table of Contents

FOREWORD

1: An Irish Ancestry: From Ould Sod to the New Land

2: Progressive Educations: Experimental Schools and Falling in Love

3: Off to College, Off to War

4: China: The Forgotten Theater

5: "The Liberators": Shanghai and the Return Home

6: Jon Mitchell: The Beginning

7: Partings and Beginnings: Joan, the Hamptons, and Early Grove

8: Samuel Beckett

9: Grove Theater: Harold Pinter and Other Playwrights

10: Into the Fray: Lady Chatterley's Lover

11: A Return to Film: Film, I Am Curious (Yellow) and Other Celluloid Adventures

12: Profiles in Censorship: Henry Miller and Tropic of Cancer

13: Maurice Girodias

14: The Beats and Naked Lunch

15: Revolutionaries: Evergreen, Che Guevara, and the Grove Bombing

16: Attack from Within, Attack from Without

17: My Tom Sawyer: Kenzabur¿ ¿e

18: Eleuthéria

19: A Nightmare in the Stone Forest

END NOTES

ACKNOWLEDGMENTS

APPENDICES

INDEX

About the author

BARNEY ROSSET was born in 1922 in Chicago to a Jewish father and an Irish Catholic mother. He bought Grove Press in 1951, and sold it to the Getty family in 1985. He died in 2012.

Summary

Genet…Beckett…Burroughs…Miller…Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.

Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.

Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.

At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.

Illustrated with black-and-white photographs; includes index

Additional text

Praise for Rosset

"Vivid and informative—a must for anyone interested in 20th-century American publishing and culture." —Kirkus Reviews (starred review)

"A candid self-portrait...a colorful and rollicking history." —Publishers Weekly

"Barney Rosset to me represents the literary world of the latter half of the 20th century. ... No amount of words will be adequate to express my gratitude to Barney Rosset." —Kenzaburō Ōe

"Barney Rosset was not an anonymous publisher for me. When I speak about my publisher in New York I never say 'Grove Press,' I always say 'Barney Rosset.'" —Jean Genet

"Barney Rosset, whose guts and wisdom made it possible for me to read Beckett and all the other writers published by Grove, the one-in-a-million Barney Rosset, America's bravest publisher." —Paul Auster

Product details

• Authors: Barney Rosset
• Publisher: OR Books
• Languages: English
• Product format: Paperback / Softback
• Released: 31.12.2021
• EAN: 9781944869533
• ISBN: 978-1-944869-53-3
• No. of pages: 368
• Dimensions: 128 mm x 201 mm x 27 mm
• Weight: 434 g
• Subject: Humanities, art, music > Linguistics and literary studies > General and comparative literary studies