Critical Approaches to the Production of Music and Sound

Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st Century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 16 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.>

About the author

Samantha Bennett is Associate Professor of Music at the Australian National University. She holds editorial roles with Perfect Beat (Equinox) and The Journal on the Art of Record Production. She is the author of the upcoming book Siouxsie and the Banshees' Peepshow (2018), part of Bloomsbury's 33 1/3 series, and co-editor of Critical Approaches to the Production of Music and Sound (2017)Eliot Bates is a Lecturer in Ethnomusicology and Popular Music Studies at the University of Birmingham, UK. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016).

Product details

• Authors: Eliot Bates, Eliot (University of Birmingham Bates, Samantha Bennett, Samantha (Australian National University Bennett, Samantha (The Australian National Univers Bennett
• Assisted by: Eliot Bates (Editor), Eliot (University of Birmingham Bates (Editor), Bates Eliot (Editor), Dr Samantha (Australian National University Bennett (Editor), Samantha Bennett (Editor), Samantha (Australian National University Bennett (Editor)
• Publisher: Bloomsbury Academic
• Languages: English
• Product format: Hardback
• Released: 31.01.2018
• EAN: 9781501332050
• ISBN: 978-1-5013-3205-0
• No. of pages: 288
• Subjects: Humanities, art, music > Music > Music theory; Music, TECHNOLOGY & ENGINEERING / Acoustics & Sound, MUSIC / Recording & Reproduction, Music Industry, Music recording & reproduction, Acoustic and sound engineering, Music recording and reproduction