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Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musics—from medieval chant and psalmody to protest songs, metal, and Daft Punk.
List of contents
Introduction
Part One: A Prophetic Role for Music: Protest and Liberation
Chapter One: Turning Hymns into Protest: Zilphia Horton and the Role of Musical Memory in Labor in the New Deal Era
Chapter Two: Punk Rock and/as Liberation Theology
Chapter Three: Mercy, Music, and the Prophetic Voice of Theology: Jon Sobrino's Extra Pauperes Nulla Salus
Chapter Four: A Prophetic Role for Music: A Response and Synthesis
Part Two: A Pastoral Role for Music: Creating Community
Chapter Five: Sacred Love: The (Eco)Theology of Sting
Chapter Six: Music, Religion, and Peacebuilding: The Pontanima Choir of Sarajevo
Chapter Seven: Breaking Stereotypes and Building Bridges: Nihilism, Lament, And Theodicy Within The Extreme Metal Music Culture
Chapter Eight: A Pastoral Role For Music: Sacramental and Salvific Powers
Part Three: A Priestly Role for Music: Reconciliation and Restoration
Chapter Nine: Random Access Liturgies: Daft Punk as Robotic Priests Restoring Humanity
Chapter Ten: Recalling the Original Harmony
About the author
Hyun-Ah Kim is fellow of the Centre for Reformation and Renaissance Studies in the University of Toronto, and Hardenberg fellow at Johannes a Lasco Bibliothek.Christina Labriola is director of music in the Office of Campus Ministry at the University of St. Michael’s College.Hyun-Ah Kim is fellow of the Centre for Reformation and Renaissance Studies in the University of Toronto, and Hardenberg fellow at Johannes a Lasco Bibliothek.Christina Labriola is director of music in the Office of Campus Ministry at the University of St. Michael’s College.
Summary
Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musics—from medieval chant and psalmody to protest songs, metal, and Daft Punk.
