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Informationen zum Autor Camille Johnson-Yale is assistant professor of communication at Lake Forest College. Klappentext This book provides a critical history of runaway production, a phrase used by Hollywood production labor to describe the outsourcing of film work to foreign locations. Beginning with its inception in the 1940s, Camille Johnson-Yale argues that runaway production represents Hollywood's historical evolution from a place to a global commodity. Zusammenfassung This book provides a critical history of runaway production, a phrase used by Hollywood production labor to describe the outsourcing of film work to foreign locations. Beginning with its inception in the 1940s, Camille Johnson-Yale argues that runaway production represents Hollywood’s historical evolution from a place to a global commodity. Inhaltsverzeichnis ContentsAcknowledgmentsIntroduction to a Critical History of Runaway ProductionChapter One; Hollywood at the Crossroads: Runaway Film Production and the Postwar Film IndustryChapter Two: Cleopatra Conquers Rome: Runaway Blockbusters in the 1960s Chapter Three: Running Ink: Offshore Animation and the Rise of Domestic Runaway Productions Chapter Four: The Canadian Film Industry and "So-Called" Runaway ProductionConclusionReferencesAbout the Author
