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Informationen zum Autor Matthew Pateman is Head of Department of Media at Edge Hill University and Professor of Contemporary Popular Aesthetics Klappentext Joss Whedon is one of the most influential figures in popular culture today. A mainstream filmmaker with an independent sensibility, he is equally at home working on blockbuster productions like The Avengers and more personal projects. But it is in his television work, particularly the era-defining Buffy the Vampire Slayer, that Whedon has done most to develop his distinctive style and themes.Celebrating and analysing the TV shows as works of mass-mediated public art, this book rejects the straightforward notion of Whedon as 'television auteur'. Instead, it explores the wider industrial, technological, political and economic contexts that have both influenced and been influenced by him. Based on key source material, including drafts of episodes from across Whedon's career and unique correspondence with Whedon collaborator Jane Espenson, it offers unparalleled insights into the creative process behind such favourites as Buffy the Vampire Slayer , Angel , Dollhouse and Firefly .Energetic, engaging and informed by meticulous scholarship, this book makes a significant contribution to our understanding of Joss Whedon's work. It is also a timely and important re-invigoration of television studies. It will appeal to students and scholars of contemporary history, pop culture, aesthetics and mass art, as well as fans who want to learn more about the shows they love. Zusammenfassung A comprehensive analysis of Whedon’s role in shaping the twenty-first-century TV landscape, featuring unique access to drafts of scripts and other source material. The book offers both detailed assessments of individual episodes and overarching histories of production. An essential and timely contribution to TV scholarship. -- . Inhaltsverzeichnis Introduction Part I 1 'Buffy is the Slayer. Don't tell anyone': creating a cultural phenomenon: the first three years of Buffy 2 'How do you know what this guy's gonna do?' Producing worlds, changing worlds 1999-20043 'There are so many things I'd like to be': multi-media polymath and rise of mainstream cult 2005-17 Part II 4 'I must say, it's a delightful change to have someone else around who can explain these matters': narrative and genre: the exposition scene in Buffy 5 'I love a story with scope': narratives in Angel : cross overs, complexity and conclusions6 'Come with me now, if you will, gentle viewers': non-Whedon scripted episodes: Jane Espenson, popular culture and authorship7 'Why'd this get so complicated?' Narrative and televisual analysis: a brief excursus using Firefly 8 'I can bring back the world': Dollhouse : narrating the tabula rasaCoda: 'I'm not done baking'Appendix 1: Jane Espenson correspondenceAppendix 2: Definitive guide to Whedon output week-by-weekIndex...
