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Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.
List of contents
List of Figures
List of Abbreviations
Acknowledgements
Introduction: Media Diversity in an ‘Indigenous’ Community—Approaches to the Dynamics of Media Spaces
Chapter 1. Tamazulapam – Los Angeles: Media Fields of a Transnational Ayuujk Village
Chapter 2. Ayuujk Audiovisuality Today: Generating Media Spaces through Practices
Chapter 3. Mediatization and “Our Own” Spaces for Development
Chapter 4. Communal and Commercial Audiovisuality and Their Transnational Expansion
Chapter 5. Tama’s Media Fields and the Pan-American Indigenous Movement
Conclusion: Media Spaces of an ‘Indigenous’ Community—Comunalidad on the Move
Bibliography
Index
About the author
Ingrid Kummels is Professor of Cultural and Social Anthropology at the Free University Berlin. She has conducted long-term ethnographic research in Mexico, Cuba, Peru and the United States, produced several documentaries and co-edited the volume
Photography in Latin America. Images and Identities Across Time and Space (Columbia University Press, 2016).
Summary
Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.
Additional text
“This important book is a welcome contribution to anthropological studies of media and should be carefully examined by scholars and students interested in indigenous media, film production as a technology of knowledge, and audiovisual decolonization.” · Ulla D. Berg, Rutgers University
“Written in an engaging and accessible style, this thoughtful, nuanced book offers a crucial intervention that reshapes the way we think about indigenous media in the Mexican context. This is a compelling work about indigenous transnational migration and low-budget media in the techno-globalized world.” · Freya Schiwy, University of California, Riverside
