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Excerpt from Rembrandt, His Life, His Work, and His Time, Vol. 1 of 2
The difficulties of reproduction were, of course, infinitely greater with the pictures. Photography is not well adapted to the rendering of those brown and golden tones which predominate in Rembrandt's works. It was necessary to choose proofs combining clearness in the shadows with exactness in the suggestion of values. Some of the examples were borrowed from the collection of Messrs. Braun and Co. Mr. Hanfstaengl of Munich also allowed the free use of all his Rembrandt reproductions. I am indebted to Mr. Baer of Rotterdam for the fragment of the Pacz'fiealz'oa of Holland, the grz'saz'lle of the Boymans Museum, and to Mr. Hoffmann, Director of the Darmstadt Museum, for a photograph of the Flagellalz'oa in his gallery, which is now published for the first time. The courtesy of Lord Warwick, of Count Orloff Davidoff, and of Messrs. Ed. André, Haro, and R. Kann, has further enabled me to reproduce other pictures never before published. Finally M. Sedelmeyer, to whom I here make most grateful acknowledgment, furnished me with photographs of several among the numerous works of Rembrandt which have been in his possession from time to time.
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