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The
Appendix Tibulliana has often been neglected in scholarship on elegy of the Augustan period. This literary commentary argues that the poems it contains not only merit serious study for their own sake, but that their destabilization of some of the key norms of the genre could prompt a broader reassessment of our understanding of elegy.
List of contents
- Introduction
- I: Contexts: Elegy and Amatory Poetry
- II: Contexts: the 'Augustan Age', Patrons, and Poetic Communities
- III: Theoretical Approaches to Elegy
- IV: What's in a Name? Name, Pseudonym, and Persona within [Tib.] 3
- V: Chronology and Authorship: the Composition and Arrangement of [Tib.] 3
- VI: Women Writing (Latin)
- VII: Style, Metre, and Syntax
- VIII: Manuscript Tradition and Text
- Text
- Commentary
- Endmatter
- Works Cited
- Index
About the author
Laurel Fulkerson is Professor of Classics and Associate Dean at Florida State University, where her research focuses on Latin and Greek poetry and on gender in antiquity. She has written extensively on Ovid in particular, including the monographs The Ovidian Heroine as Author: Reading, Writing, and Community in the Heroides (CUP, 2005) and Ovid: A Poet on the Margins (Bloomsbury, 2016), as well as the edited collection Repeat Performances: Ovidian Repetition and the Metamorphoses (University of Wisconsin Press, 2016) with Tim Stover. She has also published on the study of the emotions in antiquity with her monograph No Regrets: Remorse in Classical Antiquity (OUP, 2013) and Emotions Between Greece and Rome (BICS Supplement, 2015), edited with Douglas Cairns.
Summary
This volume focuses on the nineteen elegiac poems of the Appendix Tibulliana, a series of little-known Latin elegies transmitted as Book 3 of the Corpus Tibullianum. Although it is accepted that they are not the work of Tibullus himself their actual authorship remains unclear and has been hotly disputed: they are notable especially for containing work attributed to Sulpicia, who may be the only female Latin poet we know of from pre-Christian antiquity.
Though admittedly somewhat obscure, this volume argues that the elegies of the Appendix Tibulliana have been unjustly overlooked in traditional scholarship: rather than concentrating on what we don't know both the Introduction and the Commentary focus instead on broader contexts of discussion. The Introduction examines not only stylistic and textual matters, but also the genre of elegy, its main practitioners, poetic communities, and gender roles, while the Commentary examines whether and how the poems fit into their cycles, into the Corpus Tibullianum, and into the genre as a whole. Close reading of the individual elegies reveals that they have a lot to teach us, especially in light of the question of women as authors in antiquity and the notion of mutability of identity. Not only do they call into question the social and legal status of the participants in a 'standard' elegiac relationship and play with the gender norms of the actors and the genre, they also destabilize the commonly-held notion that elegy is personal poetry, rooted in autobiographical events experienced by one individual author. These valuable insights, more broadly applied, may have important consequences for traditional understanding of what elegy is and does.
Additional text
This is an important and timely book that belongs in college and university libraries as well as in those of individual scholars interested in the Appendix.
