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Zusatztext Teitelbaum's analyses of internal discussions about the appropriateness of using foreign music in nationalist activism are consistently fascinating. Informationen zum Autor Benjamin R. Teitelbaum earned his Ph.D. in ethnomusicology from Brown University in 2013. He has served served as instructor and Head of Nordic Studies at the University of Colorado, Boulder, and affiliate faculty in Music and International Affairs, since 2012. His research focuses on western ultraconservatism, music in the Nordic countries, and music and politics more generally. Klappentext Often labeled "neo-Nazis" or "right-wing extremists," radical nationalists in the Nordic countries have always relied on music to voice their opposition to immigration and multiculturalism. These actors shook political establishments throughout Sweden, Denmark, and Norway during the 1980s and 1990s by rallying around white power music and skinhead subculture. But though nationalists once embraced a reputation for crude chauvinism, they are now seeking to reinvent themselves as upstanding and righteous, and they are using music to do it. Lions of the North explores this transformation of anti-immigrant activism in the Nordic countries as it manifests in thought and sound. Offering a rare ethnographic glimpse into controversial and secretive political movements, it investigates changes in the music nationalists make and patronize, reading their puzzling embrace of lite pop, folk music, even rap and reggae as attempts to escape stereotypes and craft a new image for themselves. Lions of the North not only exposes the dynamic relationship between music and politics, but also the ways radical nationalism is adapting to succeed in some of the most liberal societies in the world. Zusammenfassung Lions of the North explores the ways anti-immigrant, anti-liberal activists in the Nordic countries are transforming their identities through music, focusing on the role of new music in their attempts to escape association with skinhead hooliganism and forge alternative reputations as refined activists. Inhaltsverzeichnis Acknowledgements Prologue Chapter 1: Introduction Chapter 2: "Vi är också ett folk!": A New Nationalism Rises Chapter 3: White Pride/Black Music: Nordic Nationalist Rap and Reggae Chapter 4: Inherent Nordicness, Inherent Goodness: Renewing Nationalist Folk Music Chapter 5: Lament for a People: Women Singers and New Nationalist Victimhood Chapter 6: New Nationalism and the Decline of Music Epilogue Bibliography Index ...
