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Zusatztext It provides an overview of some of the most important contemporary philosophical discourses in relation to dance. Above all, it makes an irresistible and convincing claim for the importance of dance as a critical tool. Informationen zum Autor Ramsay Burt is Professor of Dance History at De Montfort University, UK. With Susan Foster, he is founder editor of Discourses in Dance. In 1999 he was Visiting Professor at the Department of Performance Studies, New York University. Since 2008 he has been a regular visiting teacher at PARTS in Brussels. In 2010 he was Professeur Invité at l'Université de Nice Sophia-Antipolis. In 2013-2014, with Professor Christy Adair, he undertook a two year funded research project into British Dance and the African Diaspora which culminated in an exhibition at the International Slavery Museum in Liverpool. Klappentext Ungoverning Dance examines the work of progressive contemporary dance artists in continental Europe from the mid 1990s to 2015. Placing this within its historical and political context - that of neoliberalism and austerity - it argues that these artists have developed an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies, and that their works attest to the persistence of alternative ways of thinking and living. In response to the way that the radical values informing their work are continually under attack from neoliberalism, these artists recognise that they in effect share common pool resources. Thus, while contemporary dance has been turned into a market, they nevertheless value the extent to which it functions as a commons. Work that does this, it argues, ungoverns dance. Theoretically, the book begins with a discussion of dance in relation to neoliberalism and post-Fordism, and then develops an account of ethico-aesthetics in choreography drawing in particular on the work of Emmanuelle Levinas and its adaptation by Maurice Blanchot. It also explores ethics from the point of view of affect theory drawing on the work of Erin Manning and Brian Massumi. These philosophical ideas inform close readings of works from the 1990s and 2000s by two generations of European-based dance artists: that of Jérôme Bel, Jonathan Burrows, La Ribot, and Xavier Le Roy who began showing work in the 1990s; and that of artists who emerged in the 2000s including Fabián Barba, Faustin Linyekula, Ivana Müller, and Nikolina Pristas. Topics examined include dance and precarious life, choreographing friendship, re-performance, the virtual in dance, and a dancer's experience of the Egyptian revolution. Ungoverning Dance proposes new ways of understanding recent contemporary European dance works by making connections with their social, political, and theoretical contexts. Zusammenfassung Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living. Inhaltsverzeichnis Acknowledgments Chapter 1. Contemporary dance and the commons Chapter 2. Transatlantic comparisons Chapter 3. Rethinking virtuosity Chapter 4. Dance and post-fordism Chapter 5. Responsible for laughter Chapter 6. Alone to the world: the solo dancer Chapter 7. Performing friendship Chapter 8. Responsibility without obligation, dancing relationality Chapter 9. History and collective memory in contemporary dance. Chapter 10. Memory, imagination, and the virtual in dance. Chapter 11. Conclusion: keywords Bibliography Index ...
