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Zusatztext The Gruffalo's Child achieves the impossible - an even more endearing! witty and delightful book than its parent. Informationen zum Autor Julia Donaldson is the author of some of the world's best-loved children's books, including modern classics The Gruffalo and The Gruffalo's Child , which together have sold over 17 million copies worldwide, and the hugely successful What the Ladybird Heard adventures. Julia also writes fiction, including the Princess Mirror-Belle books illustrated by Lydia Monks, as well as poems, plays and songs ¿ and her brilliant live shows are always in demand. She was Children¿s Laureate 2011¿13 and has been honoured with a CBE for Services to Literature. Julia and her husband Malcolm divide their time between West Sussex and Edinburgh. Axel Scheffler is a star illustrator whose instantly recognizable, warm and witty illustrations have achieved worldwide acclaim and numerous awards. In addition to his picture books, Axel is the illustrator of wonderful novelty and gift books for Macmillan, such as the bestselling The Bedtime Bear, The Tickle Book and Mother Goose's Nursery Rhymes . He also illustrates the popular Pip and Posy series. Born in Hamburg, Axel now lives with his family in London. Klappentext The Gruffalo said that no gruffalo should Ever set foot in the deep dark wood. But one wild and windy night the Gruffalo's child ignores her father's warning and tiptoes out into the snow. After all, the Big Bad Mouse doesn't really exist . . . does he? Julia Donaldson and Axel Scheffler are on dazzling form in this captivating sequel to the classic picture book The Gruffalo. Join the Gruffalo's Child in her search for the mysterious Big Bad Mouse in this bestselling sequel to The Gruffalo . Zusammenfassung Join the Gruffalo's Child in her search for the mysterious Big Bad Mouse in this bestselling sequel to The Gruffalo. ...
Report
A variation on the relationship between the canny mouse and the gentle but huge and ugly Gruffalo, so deliciously played out in The Gruffalo, is wittily recreated in this welcome encore. The Guardian
