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Informationen zum Autor Pablo Vila is professor of sociology at Temple University. Klappentext This collection deals with various manifestations of Argentine music and dance and how they relate to affects, feelings, and emotions, showing how music creates particular atmospheres, via the induction, modulation and circulation of affects and emotions, which are felt but, at the same time, they do not belong to anybody in particular. Zusammenfassung This collection deals with various manifestations of Argentine music and dance and how they relate to affects! feelings! and emotions! showing how music creates particular atmospheres! via the induction! modulation and circulation of affects and emotions! which are felt but! at the same time! they do not belong to anybody in particular. Inhaltsverzeichnis ContentsAcknowledgmentsIntroductionPablo VilaChapter One: Music, Dance, Affect, and Emotions: Where We Are Now.Pablo VilaChapter Two: The Embodiment of Gozo.: Aesthetic, Emotion and Politics in the Indigenous Song-dances of the Argentine ChacoSilvia Citro and Adriana CerlettiChapter Three: Traditional Sonorous Poetics. Ways of Appropriation and Perception of "Andean" Music and Practices in Buenos Aires.Adil PodhajcerChapter Four: Pleasures in Conflict: Maternity, Eroticism, and Sexuality in Tango Dancing Juliana Verdenelli, Translated by Elliot PrussingChapter Five: Self-Expression Through Self-Discipline. Technique, Expression, and Losing Oneself in Classical DanceAna Sabrina Mora, Translated by Elliot PrussingChapter Six: Did Cumbia Villera Bother Us? Criticisms on the Academic Common Sense Representation of the Link Between Women and MusicMalvina Silba and Carolina Spataro, Translated by Federico Álvarez GandolfiChapter Seven: Peronism and Communism, Feelings and Songs: Militant Affects in Two Versions of the Political Song in ArgentinaCarlos Molinero and Pablo VilaChapter Eight: Music, Dance, Affect, and Emotions: Where We Can BePablo VilaAbout the Contributors...
