Fr. 65.50

Cambridge Companion to Film Music

English · Paperback / Softback

Shipping usually within 1 to 3 weeks (not available at short notice)

Description

Read more

Klappentext A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks. Zusammenfassung A collection of essays from leading scholars and practitioners in the burgeoning field of film music studies. The book provides a uniquely comprehensive overview of how music functions in film soundtracks from a variety of historical periods! genres and film industries! including those of the USA! UK! France! Italy! India and Japan. Inhaltsverzeichnis Introduction Mervyn Cooke and Fiona Ford; Part I. Making Film Music: 1. Evolving practices for film music and sound, 1925-35 James Buhler and Hannah Lewis; 2. 'Pictures that talk and sing': sound history and technology David Cooper; 3. The composer and the studio: Korngold and Warner Bros. Ben Winters; 4. Can't buy me love? Economic imperatives and artistic achievements in the British pop music film Stephen Glynn; 5. 'A film's first audience': the composer's role in film and television George Fenton in conversation with Mervyn Cooke; Part II. Approaching Film Music: 6. Film music theory Guido Heldt; 7. Studying film scores: working in archives and with living composers Kate Daubney; 8. Returning to Casablanca Peter Franklin; 9. Parental guidance advised? Mash-ups and mating penguins in Happy Feet Fiona Ford; 10. Materializing film music Miguel Mera; Part III. Genre and Idiom: 11. Film noir and music David Butler; 12. Another other history of jazz in the movies Krin Gabbard; 13. Horror and science fiction Stan Link; 14. The Western Robynn J. Stilwell; 15. The music of screen musicals Caryl Flinn; 16. 'Britannia - The Musical': scores, songs and soundtracks in British animation Paul Wells; Part IV. Music in World Cinemas: 17. Leone, Morricone and the Italian way to revisionist westerns Sergio Miceli; 18. Music, noise and silence in the late cinema of Jean-Luc Godard Danae Stefanou; 19. Hans Werner Henze and The Lost Honour of Katharina Blum Annette Davison; 20. T¿ru Takemitsu's collaborations with Masahiro Shinoda: the music for Pale Flower, Samurai Spy and Ballad of Orin Tim Koozin; 21. Welcome to Kollywood: Tamil film music and popular culture in South India Mekala Padmanabhan....

Product details

Authors Mervyn (University of Nottingham) Ford Cooke, Mervyn Ford Cooke, EDITED BY MERVYN COO
Assisted by Mervyn Cooke (Editor), Mervyn (University of Nottingham) Cooke (Editor), Fiona Ford (Editor)
Publisher Cambridge University Press ELT
 
Languages English
Product format Paperback / Softback
Released 08.12.2016
 
EAN 9781107476493
ISBN 978-1-107-47649-3
No. of pages 438
Series Cambridge Companions to Music
Cambridge Companions to Music
Subjects Humanities, art, music > Music > Music theory
Non-fiction book > Music, film, theatre

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.