Lou Harrison - American Musical Maverick

Informationen zum Autor Bill Alves is a southern California composer of acoustic and electronic microtonal music, music for gamelan, video, and other works. He is the author of Music of the Peoples of the World and his discs are available from MicroFest Records, Spectral Harmonies, and Kinetica Video Library. He teaches at Harvey Mudd College at the Claremont Colleges, where he directs the American gamelan. Brett Campbell writes frequently about music and other arts for Oregon ArtsWatch , The Wall Street Journal , San Francisco Classical Voice , and many other publications. He teaches journalism at Portland State University and performs in Venerable Showers of Beauty gamelan ensemble, based at Lewis and Clark College in Lou Harrison's hometown of Portland, Oregon. Klappentext American composer Lou Harrison (1917-2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Bjork are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called -world music- phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison's life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives's Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first -happenings- with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career. Inhaltsverzeichnis Foreword: Hail, Lou! / Mark Morris Preface: Lou's World Acknowledgments Part I: Oregon Trails 1. The Silver Court (1917-1934) Part II: The Vast Acreage 2. A Wonderful Whirligig (1935-1936) 3. The Ultramodernist (1935-1936) 4. The Grand Manner (1936-1937) 5. Changing World (1937-1938) 6. Double Music (1938-1939) 7. Drums Along the Pacific (1939-1941) 8. Into the Labyrinth (1941-1942) 9. Western Dance (1942-1943) Part III: A Hell of a Town 10. The Lonesome Isle (1943-1945) 11. New York Waltzes (1945-1946) 12. Praises for the Archangel (1946) 13. Day of Ascension (1946-1947) 14. Tears of the Angel (1947-1948) 15. The Perilous Chapel (1948-1949) 16. Pastorales (1949-1950) 17. The White Goddess (1951) 18. A Great Playground (1951-1952) 19. Lake Eden (1952-1953) Part IV: Full Circle 20. A Paradise Garden of Delights (1953-1955) 21. Free Style (1955-1957) 22. Wild Rights (1957-1961) Part V: Pacifica 23. The Human Music (1961) 24. Pacific Rounds (1962-1963) 25. The Family of the Court (1963-1966) 26. Stars Upon his Face (1967-1969) 27. Young Caesar and Old Granddad (1969-1974) 28. Elegies (1973-1975) Part VI: The Great Melody 29. Golden Rain (1975-1977)...

Product details

• Authors: Bill Alves, Bill Campbell Alves, Bill/ Campbell Alves, Alves Bill, Brett Campbell, Campbell Brett
• Publisher: Indiana University Press
• Languages: English
• Product format: Hardback
• Released: 31.03.2017
• EAN: 9780253025616
• ISBN: 978-0-253-02561-6
• No. of pages: 582
• Series: Indiana University Press (IPS)
• Subject: Humanities, art, music > Music > Monographs