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When Céline's first novel, Journey to the End of the Night was first published in 1932, it created an instant scandal, being extravagantly praised by its supporters and savagely attacked by its horrified opponents. Four years later came the sequel, Death on Credit. Both were a new kind of novel, frank about the author's thoughts and actions in ways that readers had never encountered, ultra-realistic - and full of incidents that could not possibly be true to life - and characters that stretched the imagination.
In Death on Credit, Ferdinand Bardamu, Céline's alter ego, is a doctor in Paris, treating the poor who seldom pay him but who take every advantage of his availability. The action is not continuous but goes back in time to earlier memories and often moves into fantasy, especially in Bardamu's sexual escapades; the style becomes deliberately rougher and sentences disintegrate to catch the flavour of the teeming world of everyday Parisian tragedies, the struggle to make a living, illness, venereal disease, the sordid stories of families whose destiny is governed by their own stupidity, malice, lust and greed. This fascinating book by one of the greatest twentieth-century novelists is an unforgettable experience for the reader.
About the author
Louis-Ferdinand Celine, geboren 1894 in Courbevoie, gestorben 1961 in Meudon.§Nach seiner Entlassung aus der Armee war er 1916/1917 als Verwalter auf einer Plantage in Schwarzafrika tätitg. Wieder zurück in Frankreich studierte er Medizin und arbeitete als Arzt für den Völkerbund. 1927 verließ er den Völkerbund und ließ sich als Armenarzt in Clichy bei Paris nieder. 1932 erschien sein berühmter erster Roman "Reise ans Ende der Nacht". Ab 1937 entzweite sich das intellektuelle Paris mit ihm, weil er neben seinen Romanen antisemitische Pamphlete verfasste.
Summary
When Celine's first novel, Journey to the End of the Night was first published in 1932, it created an instant scandal. Four years later came the sequel, Death on Credit. Both were a new kind of novel, frank about the author's thoughts and actions in ways that readers had never encountered.
Foreword
One of the most iconic books of French literature written by the most controversial figure of the 20th century French literary scene. It offers a profound vision of the nature of the individual experience, rooted in suffering and inertia. Together with Journey to the End of the Night, Death on Credit shocked European literature and world consciousness. Céline's influence has revolutionized the contemporary approach to fiction.
Additional text
The most blackly humorous and disenchanted voice in all of French literature.
Report
The most blackly humorous and disenchanted voice in all of French literature. London Review of Books
