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'The man's become inhuman ... He has cut himself off from his kind. His blood be upon his own head.'
One night in the depths of winter, a bizarre and sinister stranger wrapped in bandages and eccentric clothing arrives in a remote English village. His peculiar, secretive activities in the room he rents spook the locals. Speculation about his identity becomes horror and disbelief when the villagers discover that, beneath his disguise, he is invisible.
Griffin, as the man is called, is an embittered scientist who is determined to exploit his extraordinary gifts, developed in the course of brutal self-experimentation, in order to conduct a Reign of Terror on the sleepy inhabitants of England. As the police close in on him, he becomes ever more desperate and violent.
In this pioneering novella, subtitled 'A Grotesque Romance', Wells combines comedy, both farcical and satirical, and tragedy - to superbly unsettling effect. Since its publication in 1897, The Invisible Man has haunted not only popular culture (in particular cinema) but also the greatest and most experimental novels of the twentieth century.
About the author
H(erbert) G(eorge) Wells, geb. am 21. September 1866 in Bromley/Kent, starb am 13. August 1946 in London. Nach einer Kaufmannslehre absolvierte er ein naturwissenschaftliches Studium mit Prädikatsexamen; nach nur wenigen Jahren als Dozent lebte er als freier Schriftsteller. Sein Gesamtwerk umfaßt etwa hundert Bände. Zu Weltruhm gelangte er mit seinen Romanen und Erzählungen, die ihn als Begründer der modernen Science Fiction, als genialen phantastischen Utopisten und als kritisch-humorvollen Gesellschaftssatiriker ausweisen.
Summary
One night in the depths of winter, a bizarre and sinister stranger wrapped in bandages and eccentric clothing arrives in a remote English village. In this pioneering novella, Wells combines comedy, both farcical and satirical, and tragedy - to superbly unsettling effect.
Additional text
The ideas that Wells explores are as relevant as ever
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[An] informative introduction... reading these OWC editions has enhanced my pleasure hugely; the introductions are always well written and give just the right amount of information to inform without overloading the reader with lots of irrelevant detail or academic jargon. Leah Galbraith, FictionFan
