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Although separated by language and geography, Willa Cather and Marguerite Duras both explored the lives of women and children across the tumultuous twentieth century by drawing on their own experiences. This comparative critical study of Cather, a Pulitzer Prize-winning author, and Duras, winner of the Prix Goncourt and Cannes Film Festival award, reveals the blurring of fiction and autobiography in their works, focusing on their concerns for women, children and the socially marginalized. Relying on a corpus of novels, plays, films, letters and interviews, the study highlights questions about power and authority relevant to the study of feminism and women's writing during and after the world wars.
Dominant themes include female adolescence and creative emergence, poverty, racism, immigrant and postcolonial life, psychosexual trauma, adult narcissism and child exploitation. The works explored also serve to examine the authors' respective theories of art and changes in narration and genre that took place in twentieth-century women's writing. This book highlights particular aesthetic elements and narrative strategies that are keys to missing knowledge about the writers' childhoods, personal relationships and changing values, which when combined establish a poetics of loss.
List of contents
CONTENTS: Maternity and Landscape - The Mirror Cracked: Reflection, Twinning and Separation - Economics, Value and Compromise - The Question of Autobiography - Woman and the Frame: Sight, Sound and Perception.
About the author
Erna Cooper pursued her postgraduate studies in French and English literature at the University of Oxford, where she was nominated «proxime accessit» for the Rex Warner Literary Prize at Wadham College. She has published short stories with Levure Littéraire, contributed to an encyclopaedia series on French-American relations, and written on Irish, English and French poetry as well as medical and trauma narratives for such publications as World Literature Today and Cultural Weekly. She has also produced theatre at the Edinburgh Fringe Festival, written and directed a short-subject film that debuted at Pathé Studios in Paris, and worked as a French-to-English translator for The Washington Post.
Report
«A beautiful, creative critical study that deserves to become a major reference work for scholars and students of French, English, and comparative literature, and for those interested in women's writing.» (Lisa Downing, French Studies, 27 August 2019)
