Fr. 39.50

Photography and Germany

English · Paperback / Softback

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Description

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The meeting of photography and Germany evokes pioneering modernist pictures from the Weimar era and colossal digital prints that define the medium's art practice today. It also recalls horrifying documents of wartime atrocity and the relentless surveillance of East German citizens. Photography and Germany broadens these perceptions by examining photography's multi-faceted relationship with Germany's turbulent cultural, political and social history.

About the author

Andrés Mario Zervigón is Professor of the History of Photography at Rutgers, the State University of New Jersey. His previous books include John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-garde Photomontage (2012) and Photography and Its Origins (co-edited with Tanya Sheehan, 2014).

Summary

Richly illustrated with many previously unpublished images, Photography and Germany is the first single-authored history of German photography, and deepens our understanding of how photography cultivates notions of a nation and its inhabitants.

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