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1911. In a forgotten valley, on the Devon-Somerset border, the seasons unfold, marked only by the rituals of the farming calendar. Twelve-year-old Leopold Sercombe skips school to help his father, a carter. Skinny and pale, with eyes as dark as sloes, Leo dreams of a job on the Master's stud farm.
As ploughs furrow the hard January fields, the Master's daughter, young Miss Charlotte, shocks the estate's tenants by wielding a gun at the annual shoot. Spring comes, Leo watches swallows build their nests, hedgerows thrum with life and days lengthen into summer. Leo is breaking a colt for his father when a boy dressed in a Homburg, breeches and riding boots appears. Peering under the stranger's hat, he discovers Charlotte.And so a friendship begins, bound by a deep love of horses, but divided by rigid social boundaries - boundaries that become increasingly difficult to navigate as they approach adolescence.
Hallucinatory, beautiful and suffused with the magic of nature, this tale of an unlikely friendship and the loss of innocence builds with a hypnotic power. Evoking the realities of agricultural life with precise, poetic brushstrokes, Tim Pears has created a masterful, Hardyesque pastoral novel. The first in a dazzling new trilogy, The Horseman is his greatest achievement.
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A novel that is as moving and profound as it is evocative of the landscape and period . Pears's fiction has been likened to Thomas Hardy's, and the comparison is apposite. As a coming-of-age novel, The Horseman is wise and insightful. As a love story, it is moving and sincere. And as a portrayal of rural Edwardian England, it is powerful, vivid and humane Observer
