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Informationen zum Autor By Andrew F. Herrmann and Art Herbig - Contributions by Tony E. Adams; Rob Anderson; Bob Batchelor; Krista J. Catalfamo; Kenneth N. Cissna; Katherine J. Denker; Robert Andrew Dunn; Eric M. Eisenberg; Lawrence Grossberg; Art Herbig; Andrew F. Herrmann; Wil Klappentext Popular culture helps construct, define, and impact our everyday realities and must be taken seriously because popular culture is, simply, popular. Communication Perspectives on Popular Culture brings together communication experts with diverse backgrounds, from interpersonal communication, business and organizational communication, mass communication, media studies, narrative, rhetoric, gender studies, autoethnography, popular culture studies, and journalism. The contributors tackle such topics as music, broadcast and Netflix television shows, movies, the Internet, video games, and more, as they connect popular culture to personal concerns as well as larger political and societal issues. The variety of approaches in these chapters are simultaneously situated in the present while building a foundation for the future, as contributors explore new and emerging ways to approach popular culture. From case studies to emerging theories, the contributors examine how popular culture, media, and communication influence our everyday lives. Zusammenfassung Communication Perspectives on Popular Culture contains all new writings from many important established scholars as well as brilliant young scholars in the communication field. Contributors explore new and emerging ways to approach popular culture - from case studies to emerging theories - as they examine how popular culture! media! and communication influence our everyday lives. Inhaltsverzeichnis ContentsAcknowledgmentsIntroduction: Not Another Pop Culture Series! Studying the World(s) We Occupy by Andrew F. Herrmann and Art HerbigChapter 1: Queering Popular Culture by Tony E. AdamsChapter 2: CultPopCulture: Reconsidering the Popular Culture Framework via the Engage, Adapt, and Transform (EAT) Model by Bob BatchelorChapter 3: "Saving People. Hunting Things. The Family Business": Organizational Communication Approaches to Popular Cultureby Andrew F. HerrmannChapter 4: Who's the Boss? Leadership in the Popular Imaginationby Eric M. EisenbergChapter 5: In Space ... Our Worst Will Make Us Scream: Reality Reflected in the Cultural Artifact Alienby Adam W. TymaChapter 6: Music's Pervasive and Persuasive Role in Popular Cultureby Deanna SellnowChapter 7: Politics and Popular Cultureby Trevor Parry-Giles, Will P. Howell, and Devin ScottChapter 8: Public Relations Representations in Popular Culture: A 'Scandal' on Primetime Televisionby Cheryl Ann Lambert, Jessalynn Strauss, and Natalie T. J. TindallChapter 9: Critical Rhetoric and Popular Culture: Examining Rhetoric's Relationship to the Popularby Art HerbigChapter 10: "Prison is bullshit": An Intersectional Analysis of Popular Culture Representations of the Prison Industrial Complex in Orange is the New Black by Michelle Kelsey KearlChapter 11: Polymediating the Post: Reclaiming Feminism in Popular Cultureby Danielle M. Stern and Krista CatalfamoChapter 12: Thinking Conjuncturally about Counterculturesby Lawrence GrossbergChapter 13: Rethinking Studies of Relationships and Popular Culture: Notes on Approach, Method, and (Meta)Theoryby Jimmie ManningChapter 14: Public Opponents Cooperating: Possibilities for Dialogue in Popular Culture Controversiesby Rob Anderson and Kenneth N. CissnaChapter 15: "You Don't Know Me": Portrayals of Black Fatherhood and Husbandhood in T.I. and Tiny: The Family Hustleby Siobhan E. Smith, Ryessia Jones, and Johnny JonesChapter 16: Video Gaming: Aggressively Socialby Robert Andrew DunnChapter 17: Popular Culture, Pedagogy, and Dialoguing Difference Starting Difficult Conversations in the Communication Classroomby Kristen L. McCauliff and Katheri...
