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Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field's contextual roots as well as historical backdrop, nevertheless, span centuries. This volume assesses where the field is now by exploring the nuances of how the past - colonial, Weimar, National Socialist, post-1945, and post-Wende - informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives.
Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field.
List of contents
CONTENTS: Silke Hackenesch: «Hergestellt unter ausschließlicher Verwendung von Kakaobohnen deutscher Kolonien»: On Representations of Chocolate Consumption as a Colonial Endeavor - Nancy P. Nenno: Here to Stay: Black Austrian Studies - Meghan O'Dea: Lucia Engombe's and Stefanie-Lahya Aukongo's Autobiographical Accounts of Solidaritatspolitik and Life in the GDR as Namibian Children - Kimberly Alecia Singletary Everyday Matters: Haunting and the Black Diasporic Experience - Kevina King: Black, People of Color and Migrant Lives Should Matter: Racial Profiling, Police Brutality and Whiteness in Germany - Kira Thurman: «Africa in European Evening Attire»: Defining African American Spirituals and Western Art Music in Central Europe, 1870s-1930s - Vanessa D. Plumly: Re-Fashioning Postwar German Masculinity Through Hip-Hop: The Man(l)y BlackWhite Identities of Samy Deluxe - Jamele Watkins: Performing Oppression and Empowerment in real life: Deutschland.
About the author
Tiffany N. Florvil is Assistant Professor of 20th-Century European Women¿s and Gender History at the University of New Mexico.
Vanessa D. Plumly is currently a lecturer in German in the Department of Languages, Literatures & Cultures at the State University of New York at New Paltz.
