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Informationen zum Autor David Cecchetto is Associate Professor of Critical Digital Theory in the Department of Humanities at York University, Canada and a member of the experimental theory group The Occulture. Marc Couroux is Associate Professor of Visual Art in the School of the Arts, Media, Performance & Design at York University, Canada and a member of the experimental theory group the Occulture. Ted Hiebert is Associate Professor in the School of Interdisciplinary Arts and Sciences at the University of Washington, Bothell, USA Eldritch Priest is Assistant Professor in the School for the Contemporary Arts at Simon Fraser University, Canada and writes on sonic culture, experimental aesthetics, and the philosophy of experience from a ’pataphysical perspective. He is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (2013) as well as numerous journal articles. Eldritch is also a composer. His works have been performed in Canada, the United States, Netherlands, and the United Kingdom. Klappentext Ludic Dreaming uses (sometimes fictional) dreams as a method for examining sound and contemporary technoculture's esoteric exchanges, refusing both the strictures of visually dominated logic and the celebratory tone that so often characterizes the "sonic turn." Instead, through a series of eight quasi-analytical essays on the condition of listening, the book forwards a robust engagement with sounds (human and nonhuman alike) that leverages particularity in its full, radical singularity: what is a dream, after all, if not an incipient physics that isn't held to the scientific demand for repeatability? Thus, these studies declare their challenge to the conventions of argumentation and situate themselves at a threshold between theory and fiction, one that encourages reader and writer alike to make lateral connections between otherwise wildly incongruent subjects and states of affairs. Put differently, Ludic Dreaming is a how-to book for listening away from the seeming fatality of contemporary technologies, which is to say, away from the seeming inevitability of late capitalistic nihilism. Zusammenfassung Ludic Dreaming uses (sometimes fictional) dreams as a method for examining sound and contemporary technoculture’s esoteric exchanges, refusing both the strictures of visually dominated logic and the celebratory tone that so often characterizes the “sonic turn.” Instead, through a series of eight quasi-analytical essays on the condition of listening, the book forwards a robust engagement with sounds (human and nonhuman alike) that leverages particularity in its full, radical singularity: what is a dream, after all, if not an incipient physics that isn't held to the scientific demand for repeatability? Thus, these studies declare their challenge to the conventions of argumentation and situate themselves at a threshold between theory and fiction, one that encourages reader and writer alike to make lateral connections between otherwise wildly incongruent subjects and states of affairs. Put differently, Ludic Dreaming is a how-to book for listening away from the seeming fatality of contemporary technologies, which is to say, away from the seeming inevitability of late capitalistic nihilism. Inhaltsverzeichnis Acknowledgments Introduction Auralneiricizing Time (Listening Away) Nietzsche in B-flat: Attuning to the ’Pataphysics of Data Absolute Ventriloquy (or, Earing the Senses) Psycho(tic)acoustics The Sound of Both Ears Oozing: Chasms, Collapses, and Phono-Digital Networks Motivational Dreamers and the ’Pataphysics of Exploding Heads Imaginary Magnitudes & the Anoriginal Hypocrisy that Vanishes in the Meantime We Are Lesion Conclusion Index ...
