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One of the first books to shine a light on the broad scope of translation studies,
this Routledge Translation Classic is widely regarded as a pillar of the discipline.
Authored by one of the most infl uential translation theorists of the twentieth
century, Translation, Rewriting, and the Manipulation of Literary Fame shows
how rewriting - translation, anthologization, historiography, criticism, editing -
infl uences the reception and canonization of works of literature.
Firmly placing the production and reception of literature within the wider
framework of a culture and its history, André Lefevere explores how rewriting
manipulates works of literature to ideological and artistic ends, and demonstrates
how rewriting a text can give it a new, sometimes subversive, historical or
literary status.
Ranging across various literatures, including Classical Latin, French, and
German, and here reissued with a new foreword by Scott G. Williams, this is a
seminal text for all students and specialists in translation studies, literary theory,
and comparative and world literature.
List of contents
General editors' preface
Foreword: The afterlife of a book
- Prewrite
- The system: patronage
- The system: poetics
- Translation: the categories
- Translation: ideology
- Translation: poetics
- Translation: universe of Discourse
- Translation: language
- Historiography
- Anthology
- Criticism
- Editing
Notes
References
Index
About the author
Andre Lefevere
Summary
One of the first books to shine a light on the broad scope of translation studies,
this Routledge Translation Classic is widely regarded as a pillar of the discipline.
Authored by one of the most infl uential translation theorists of the twentieth
century, Translation, Rewriting, and the Manipulation of Literary Fame shows
how rewriting – translation, anthologization, historiography, criticism, editing –
infl uences the reception and canonization of works of literature.
Firmly placing the production and reception of literature within the wider
framework of a culture and its history, André Lefevere explores how rewriting
manipulates works of literature to ideological and artistic ends, and demonstrates
how rewriting a text can give it a new, sometimes subversive, historical or
literary status.
Ranging across various literatures, including Classical Latin, French, and
German, and here reissued with a new foreword by Scott G. Williams, this is a
seminal text for all students and specialists in translation studies, literary theory,
and comparative and world literature.
