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Zusatztext The discovery of the Dead Sea Scrolls overturned longstanding assumptions about the formation of biblical books and canons. Moving beyond this much-repeated insight, Eva Mroczek invites the reader to rethink what 'books' and 'literature' did and meant for ancient Jewsin and beyond the Bible. The result is a brilliant study bristling with astonishingly fresh insights, challenging questions, and creative new approaches, opening up exciting conversations at the crossroads of Biblical Studies, Jewish Studies, and Book History. Informationen zum Autor Eva Mroczek is Assistant Professor of Premodern Judaism at University of California, Davis. Klappentext Winner of the 2017 Manfred Lautenschlaeger Award for Theological Promise Winner of the 2017 The George A. and Jean S. DeLong Book History Book Prize The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to revealed books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, Bible, and a bibliographic one, book. The Literary Imagination in Jewish Antiquity suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writing found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in a Bible. In listening to the way ancient writers describe their own literature-rife with their own metaphors and narratives about writing-The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions. Zusammenfassung How did Jews understand sacred writing before the concepts of "Bible" and "book" emerged? The Literary Imagination in Jewish Antiquity challenges anachronistic categories to reveal new aspects of how ancient Jews imagined written revelation. Inhaltsverzeichnis Acknowledgements Introduction: Beyond Bible and Book 1. The Mirage of the Bible: The Case of the Book of Psalms Introduction: Milton's Vial and the Uncontained Text I. Biblical Spectacles II. Why there was no "Book of Psalms" in the Second Temple Period: Manuscripts and the Imagination III. Psalms without Psalters: Rethinking Psalms Traditions Beyond "Bible" and "Book" Conclusion: Bibliographic Surprises in Early Judaism 2. The Sweetest Voice: the Poetics of Attribution Introduction: What Did Ancient Attribution Claim? Aesthetics and Authorship I. Characters in Search of Stories: Authority, Pseudonymity, and Poetics II. The Psalm Superscriptions and Davidic Voice III. Sinful King to Angelic Bard: The Making of the Sweet Singer of Israel Conclusion: The Life of the Writer 3. Like A Canal from a River: Scribal Products and Projects Introduction: The Poetic "I": Historical or Legendary? I. The First Jewish Author? Ben Sira and the Authorial Name II. What is "The Book of Ben Sira"? Open Books and Authentic Text III. The Afterlives of Ben Sira as Text and Character Conclu...
