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Informationen zum Autor Arthur Gelb and Barbara Gelb are the authors of O’Neill (1962) and O’Neill: Life with Monte Cristo (2000), each covering materials known at the time. By Women Possessed benefits from newly released archival material (diaries, letters) and a revisiting of material that was interdicted as long as the widow lived. It also benefits from the wisdom of age: The authors began their first O’Neill book when he was thirty-two and she thirty. Life lived has a way of adding shading that youth cannot imagine. They were just completing this final book when Arthur, then ninety, died. Among her books, Barbara is also the author of So Short a Time , a biography of John Reed ( Ten Days That Shook the World ) and Louise Bryant—O’Neill's great flame, perhaps because she was the one who left him; and the one-woman play My Gene , based on Carlotta Monterey’s life and starring Colleen Dewhurst. Arthur Gelb served in many positions at The New York Times before assuming the post of managing editor. He is the author of several books, most recently, the acclaimed memoir City Room . Klappentext Celebrated for their books on Eugene O'Neill and enjoying access to a trove of previously sealed archival material! the Gelbs deliver their final volume on the stormy life and brilliant oeuvre of this Nobel Prize-winning American playwright. This is a tour through both a magical moment in American theater and the troubled life of a genius. Not a peep show or a celebrity gossip fest! this book is a brilliant investigation of the emotional knots that ensnared one of our most important playwrights. Handsome! charming when he wanted to be: O'Neill was the flame women were drawn to-all! that is! except his mother! who never let him forget he was unwanted. By Women Possessed follows O'Neill through his great successes! the failures he was able to shrug off! and the long eclipse! a twelve-year period in which! despite the Nobel! nothing he wrote was produced. But ahead lay his greatest achievements: The Iceman Cometh and Long Day's Journey into Night. Both were ahead of their time and both received lukewarm receptions. It wasn't until after his death that his widow! the keeper of the flame! began a fierce and successful campaign to restore his reputation. The result is that today! just over 125 years after his birth! O'Neill is a towering presence in the theater! his work-always in performance here and abroad-still electrifying audiences. Perhaps of equal importance! he is the acknowledged father of modern American theater! the man who paved the way for the likes of Arthur Miller! Tennessee Williams! Edward Albee! and a host of others. But! as Williams has said! at a cost: "O'Neill gave birth to the American theater and died for it." Leseprobe 1 Although it is only five o'clock on the winter-dark afternoon of January 30, 1928-three and a half hours earlier than the customary eight-thirty Broadway premiere-first-nighters are spilling from limousines and taxis in front of the new John Golden Theater. As they step onto the roped-off sidewalk, they are surrounded by a crush of celebrity-oglers who are being pressed back by a cadre of mounted police. The celebrities themselves blithely jostle their way to their seats, undaunted by the prospect of sitting through a performance that is double the length of a conventional play. They are here for the season's most trumpeted theatrical event, Eugene O'Neill's Strange Interlude. The author, globally heralded as the pioneer of American stage tragedy and the recipient (so far) of two Pulitzer Prizes, will not be present. Chronically nervous and wary of crowds, he usually sends his wife, Agnes Boulton, as his emissary on opening nights. Boulton, however, has her own good reasons for staying in ...
