Fr. 83.00

Distance, Theatre, and the Public Voice, 1750-1850

English · Paperback / Softback

New edition in preparation, currently unavailable

Description

Read more

Zusatztext 'In this taut little book! Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century . . . This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE Informationen zum Autor Melynda Nuss is an associate professor in the Department of English at the University of Texas-Pan American, USA. Klappentext As theatres expanded in the eighteenth and nineteenth centuries! the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience. Zusammenfassung As theatres expanded in the eighteenth and nineteenth centuries! the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience. Inhaltsverzeichnis Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face

List of contents

Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face

Report

'In this taut little book, Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century . . . This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.