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Zusatztext 'In this taut little book! Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century . . . This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE Informationen zum Autor Melynda Nuss is an associate professor in the Department of English at the University of Texas-Pan American, USA. Klappentext As theatres expanded in the eighteenth and nineteenth centuries! the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience. Zusammenfassung As theatres expanded in the eighteenth and nineteenth centuries! the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience. Inhaltsverzeichnis Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face
List of contents
Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face
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'In this taut little book, Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century . . . This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE