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This book presents a new approach to film analysis. It provides methods for analysing meaning making in film through tracking concrete details of film images such as characters, objects, settings and character action. It also represents new ground for investigating empirical issues in film.
List of contents
Acknowledgements 1. Introduction 2. The Application of Functional Linguistics to Film 3. Cohesion in Film 4. Analysing Action Patterns in Film 5. Conclusion Filmography Index
About the author
Chiao-I Tseng is Associate Researcher at the Faculty of Linguistics and Literary Science, University of Bremen, Germany. She has been applying mechanisms of discourse interpretation to multimodal text for several years and is currently involved in several research projects on application of text-linguistic methods to film analysis.
Summary
This book presents a new approach to film analysis. It provides methods for analysing meaning making in film through tracking concrete details of film images such as characters, objects, settings and character action. It also represents new ground for investigating empirical issues in film.
Additional text
"Cohesion in Film really is that rare thing, a genuinely new contribution to film studies. Earlier attempts at applying linguistic concepts to film theory have not always been particularly illuminating. Tseng's adaptation of systemic functional linguistics, however, provides a lucid and precise method for close readings of films. It is based on a solid analysis of how films offer information and how we process that information so that it makes narrative sense." - Henry Bacon, Professor of Film and Television Studies, University of Helsinki
Report
"Cohesion in Film really is that rare thing, a genuinely new contribution to film studies. Earlier attempts at applying linguistic concepts to film theory have not always been particularly illuminating. Tseng's adaptation of systemic functional linguistics, however, provides a lucid and precise method for close readings of films. It is based on a solid analysis of how films offer information and how we process that information so that it makes narrative sense." - Henry Bacon, Professor of Film and Television Studies, University of Helsinki
