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Did the Stuart queens create their own courts, and can these courts shed new light on women's poetry, drama and performance? This book investigates the literature, theatre, patronage and commissioning of the courts of Anna of Denmark (1603-19) and Henrietta Maria (1625-42). Unearthing the neglected history of the Stuart queens, these essays look afresh at the early modern European female elite to create a new picture of femininity for students and scholars of early modern culture.
List of contents
List of Figures List of Genealogical Tables Acknowledgements Notes on Contributors Introduction: The Queen's Court; C.McManus PART I: FEMALE PERFORMANCE, CULTURAL AGENCY AND QUEENSHIP AT THE JACOBEAN COURTS 'To Enlight the Darksome Night, Pale Cinthia doth Arise': Anna of Denmark, Elizabeth I and the Images of Royalty; J.Knowles The Queen's Courts: Anna of Denmark and her Royal Sisters - Cultural Agency at Four North European Courts in the Sixteenth and Seventeenth Centuries; M.R.Wade Memorialising Anna of Denmark's Court: Cupid's Banishment at Greenwich Palace; C.McManus PART II: FEMALE AUTHORSHIP IN THE QUEEN'S COURT Reflected Desire: The Erotics of the Gaze in Aemilia Lanyer's
About the author
ALEXANDRA G. BENNETT Assistant Professor of English at Northern Illinois University, usa
KAREN BRITLAND Lecturer at the University of Leeds, UK
JAMES KNOWLES Reader in English at the University of Stirling, UK
REBECCA LEMON Assistant Professor of English at the University of Southern California, USA
SARAH POYNTING Research Fellow in History and English at Keele University, UK
SOPHIE TOMLINSON Lecturer in English at the University of Auckland, New Zealand
SUZANNE TRILL Lecturer in English Literature at the University of Edinburgh, UK
MARA R. WADE Associate Professor in the Department of Germanic Literature, University of Illinois, USA
SUSAN WISEMAN Reader in Early Modern Studies at Birkbeck College, University of London, UK
Summary
Did the Stuart queens create their own courts, and can these courts shed new light on women's poetry, drama and performance? This book investigates the literature, theatre, patronage and commissioning of the courts of Anna of Denmark (1603-19) and Henrietta Maria (1625-42). Unearthing the neglected history of the Stuart queens, these essays look afresh at the early modern European female elite to create a new picture of femininity for students and scholars of early modern culture.
Additional text
'This is... a splendid collection, coherent yet wide-ranging, focused around
important interdisciplinary research questions, and carrying forward the study
of early modern women's cultural participation in several
significant directions.' - Professor Kate Chedgzoy, Professor of Renaissance Literature, University of Newcastle upon Tyne
Report
'This is... a splendid collection, coherent yet wide-ranging, focused around
important interdisciplinary research questions, and carrying forward the study
of early modern women's cultural participation in several
significant directions.' - Professor Kate Chedgzoy, Professor of Renaissance Literature, University of Newcastle upon Tyne
