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Zusatztext 'This is a substantial and thought-provoking book! with much to offer to readers interested in the history of ideas! as well as to those with a special interest in fiction' - Flora Alexander! Aberdeen University Review '...King has produced a comprehensively researched and thought-provoking account of recent historical novels by women! achieving the difficult balance of offering perceptive and original scholarly insight to academics and students while remaining accessible and interesting to the more general reader of novels...Her book leaves the reader with an enhanced appreciation of the intellectual and artistic ambitions of contemporary women writers.' - Pam Morris! Women: A Cultural Perspective 'Kind provides a lively! thought-provoking analysis of her topic. Her writing is clear and elegant! her arguments lucid and compelling.' - Wendy Jones Nakanishi! English Studies Informationen zum Autor JEANNETTE KING is Director of Women's Studies at the University of Aberdeen, UK. Her previous publications include Tragedy in the Victorian Novel ; Doris Lessing and Women and the Word: Contemporary Women Novelists and the Bible . Klappentext The Victorian Woman Question in Contemporary Feminist Fiction explores the representation of Victorian womanhood in the work of some of today's most important British and North American novelists including A.S. Byatt, Sarah Waters, Margaret Atwood, Angela Carter and Toni Morrison. By analysing these novels in the context of the scientific, religious and literary discourses that shaped Victorian ideas about gender, it contributes to an important inter-disciplinary debate. For while showing the power of these discourses to shape women's roles, the novels also suggest how individual women might challenge that power through their own lives. Zusammenfassung The Victorian Woman Question in Contemporary Feminist Fiction explores the representation of Victorian womanhood in the work of some of today's most important British and North American novelists including A.S. Byatt, Sarah Waters, Margaret Atwood, Angela Carter and Toni Morrison. By analysing these novels in the context of the scientific, religious and literary discourses that shaped Victorian ideas about gender, it contributes to an important inter-disciplinary debate. For while showing the power of these discourses to shape women's roles, the novels also suggest how individual women might challenge that power through their own lives. Inhaltsverzeichnis Acknowledgements Introduction PART 1: WHAT IS A WOMAN? VICTORIAN CONSTRUCTIONS OF FEMININITY Religious Prescriptions and Cultural Reflections The Biological Sciences An Unhealthy Mind in an Unhealthy Body? Evolutionary Theory and the Social Sciences Entering the Gender Debate PART 2: THE DARWINIAN MOMENT: THE WOMAN THAT NEVER EVOLVED Separate Species and Separate Spheres: Andrea Barrett, The Voyage of the Naywhal 1855-1856 Darwin and Romantic Love: A.S. Byatt, Morpho Eugenia PART 3: 'CRIMINALS, IDIOTS, WOMEN AND MINORS': DEVIANT MINDS IN DEVIANT BODIES Madwoman or Bad Woman? Margaret Attwood, Alias Grace Criminal Influence: Sarah Waters, Affinity PART 4: SUBVERSIVE SPIRITS: SPIRITIUALISM AND FEMALE DESIRE 'Power Words': Victoria Glendinning, Electricity Gender and Poetry: A.S. Byatt, The Conjugial Angel Spiritualism, Psychology and History: Michèle Roberts, In the Red Kitchen PART 5: DEGENERATION AND SEXUAL ANARCHY The Newly-born Woman: Angela Carter, Nights at the Circus Performing Gender: Sarah Waters, Tipping the Velvet PART 6: EVOLUTIONARY THOUGHT, GENDER AND RACE 'Ain't I a Woman?': Toni Morrison's Beloved Afterword Bibliography Index...
List of contents
Acknowledgements Introduction PART 1: WHAT IS A WOMAN? VICTORIAN CONSTRUCTIONS OF FEMININITY Religious Prescriptions and Cultural Reflections The Biological Sciences An Unhealthy Mind in an Unhealthy Body? Evolutionary Theory and the Social Sciences Entering the Gender Debate PART 2: THE DARWINIAN MOMENT: THE WOMAN THAT NEVER EVOLVED Separate Species and Separate Spheres: Andrea Barrett, The Voyage of the Naywhal 1855-1856 Darwin and Romantic Love: A.S. Byatt, Morpho Eugenia PART 3: 'CRIMINALS, IDIOTS, WOMEN AND MINORS': DEVIANT MINDS IN DEVIANT BODIES Madwoman or Bad Woman? Margaret Attwood, Alias Grace Criminal Influence: Sarah Waters, Affinity PART 4: SUBVERSIVE SPIRITS: SPIRITIUALISM AND FEMALE DESIRE 'Power Words': Victoria Glendinning, Electricity Gender and Poetry: A.S. Byatt, The Conjugial Angel Spiritualism, Psychology and History: Michèle Roberts, In the Red Kitchen PART 5: DEGENERATION AND SEXUAL ANARCHY The Newly-born Woman: Angela Carter, Nights at the Circus Performing Gender: Sarah Waters, Tipping the Velvet PART 6: EVOLUTIONARY THOUGHT, GENDER AND RACE 'Ain't I a Woman?': Toni Morrison's Beloved Afterword Bibliography Index
Report
'This is a substantial and thought-provoking book, with much to offer to readers interested in the history of ideas, as well as to those with a special interest in fiction' - Flora Alexander, Aberdeen University Review
'...King has produced a comprehensively researched and thought-provoking account of recent historical novels by women, achieving the difficult balance of offering perceptive and original scholarly insight to academics and students while remaining accessible and interesting to the more general reader of novels...Her book leaves the reader with an enhanced appreciation of the intellectual and artistic ambitions of contemporary women writers.' - Pam Morris, Women: A Cultural Perspective
'Kind provides a lively, thought-provoking analysis of her topic. Her writing is clear and elegant, her arguments lucid and compelling.' - Wendy Jones Nakanishi, English Studies
