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This book reconsiders a wide array of images of Byzantine empresses on media as diverse as bronze coins and gold mosaic from the fifth through to the seventh centuries A.D. The representations have often been viewed in terms of individual personas, but strong typological currents frame their medieval context. Empress Theodora, the target of political pornography, has consumed the bulk of past interest, but even her representations fit these patterns. Methodological tools from fields as disparate as numismatics as well as cultural and gender studies help clarify the broader cultural significance of female imperial representation and patronage at this time.
List of contents
Introduction The Empress Ariadne and the Politics of Transition Early Byzantine Steelyard Weights: Potency and Diffusion of the Imperial Image Looking at Her: Prokopios Rhetor and the Representation of Empress Theodora The Visual Representation of Empress Theodora The Empress Sophia: Authority and Conflict Conclusion
About the author
ANNE L. MCCLANAN is Assistant Professor of art history at Portland State University, Oregon, USA. She is the co-editor of Personal Objects, Social Subjects: The Material Culture of Sex, Procreation, and Marriage in Pre-Modern Europe, forthcoming from Palgrave.
Summary
This book reconsiders a wide array of images of Byzantine empresses on media as diverse as bronze coins and gold mosaic from the fifth through to the seventh centuries A.D. The representations have often been viewed in terms of individual personas, but strong typological currents frame their medieval context. Empress Theodora, the target of political pornography, has consumed the bulk of past interest, but even her representations fit these patterns. Methodological tools from fields as disparate as numismatics as well as cultural and gender studies help clarify the broader cultural significance of female imperial representation and patronage at this time.
