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At the close of the Age of Harmony, began the Age of Division…
About the author
Brian Froud is known worldwide as the preeminent faery artist of our time. He has published over twenty-five books, including the best selling
Faeries, Lady Cottington’s Pressed Fairy Book, and many more. Brian and his wife Wendy recently released
Trolls, a major hardcover book published by Abrams Books. Brian worked with Jim Henson for many years and was the designer for the iconic films
The Dark Crystal and
Labyrinth. Brian’s art is represented in collections throughout the world and can be seen at Amazing Fine Art in New York.
Matthew Dow Smith has drawn comics for every major American comic book publisher. His work has appeared in the pages of DC’s
Starman, Mike Mignola’s
Hellboy, Marvel’s
Nightcrawler, and Top Cow’s
Witchblade. A frequent artist on IDW’s
Doctor Who comic book, he has also written a series of
Who short stories in the US and UK, including a special comic produced by the BBC America Shop for the 2011 San Diego Comic Con. He is also the author of the prose novel
Night Folk.
Born in the USSR, Alex Sheikman immigrated to the US at the age of 12 and shortly thereafter discovered comic books. Since then, he has contributed illustrations to a variety of role playing games published by White Wolf, Holistic Design, and Steve Jackson Games. He is also the writer and artist of
Robotika, Robotika: For a Few Rubles More, Moonstruck, and a number of short stories. He lives in Northern California.
Summary
Brian Froud, legendary conceptual designer of the beloved Jim Henson
fantasy film The Dark Crystal, returns to the world he helped create in
this stunning conclusion of the official prequel to original movie. The world of
Thra is shattered. As the aftermath of the Great Conjunction wreaks havoc upon
the Gelfling tribes, the Geflings may have no choice but to rely upon the one
race offering aid: the Skeksis. This volume features behind-the-scenes photos
and concept sketches from the Jim Henson Company Archives documenting how
creature and puppet designs that never made it into the film were adapted and
brought to life on the page.
