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Informationen zum Autor Kathryn Quinn-Sánchez is Professor at Georgian Court University in Lakewood, New Jersey, USA, where she teaches a variety of courses on Latin American and Latinx literature, culture, and the Spanish language. She received her M.A. from Middlebury College through their graduate program in Madrid, Spain. Dr. Quinn-Sánchez earned her Ph.D. in Romance Languages and Literatures from the University of North Carolina, Chapel Hill, USA. She serves as co-editor of the online, peer-reviewed, scholarly, and creative e-journal Label Me Latina/o. In addition to publishing several articles in the field of literary criticism, Professor Quinn-Sánchez has authored A Literary and Political History of Post-Revolutionary Mexico: Redefining "The Ideal" (2006) as well as Identity in Latin American and Latina Literature: The Struggle to Self-Define in a Global Era Where Space, Capitalism, and Power Rule (2014). In 2015, her edited collection of critical essays was published under the title Negotiating Latinidades, Understanding Identities within Space. Klappentext This study demonstrates the ways that Latina authors contest how power and space exploit women while simultaneously subverting the Nation-State through reimagining a counter-space where new definitions of the self lie beyond Power's reach. Moreover, this book delves into how both Power and Space collude to uphold the out-of-date sexist, racist, and classist societal norms that Eurocentrism and history continue to cleave to as the defining qualities of the nation and its citizens. With the proliferation of Latin literature within the United States, an ideological readjustment is taking place whereby several late twentieth- and early twenty-first-century authors contest the State's role in defining its citizens by exposing the unjust role that Space and Power play. With this in mind, the author examines several literary versions of identity to explore how certain authors reject and subvert the social mores against which present-day citizens are measured-especially within government or State institutions but also within families and neighborhoods. The literary works that are analyzed cover a period of twenty-five years ending in 2010. Several of these texts rewrite the national allegory from the point of view of the marginalized while others demonstrate how an individual successfully renegotiates her identity-gender, social class, or ethnicity-from being a disadvantage to being an identity marker to celebrate. The authors defy the place that women are still relegated to, by representing several characters who consciously decide that it is time to battle the forces that would keep them powerless in the public arena. Above all, these texts are anti-Power; the protagonists refuse to accept the societal forces which constantly barrage them, defining them as worthless. These authors and their characters challenge everything that historically has kept women relegated to a space of weakness. Zusammenfassung This study examines works that address the spatial location of Latinidades! especially Latina! identity by subverting literary history and literary theory through testimonio! hybrid genres! social activism! metafiction! and solidarity. Inhaltsverzeichnis Table of ContentsIntroduction.Section I. REJECTChapter 1. Rejecting Eden's Limits/Choosing Freedom: Belli's El infinito en la palma de la manoChapter 2. Rejecting Labels/Choosing Hope through Self-Definition: Sandra Cisneros' The House on Mango StreetChapter 3. Rejecting Failed Hegemony: Capitalism and Borderland Violence in Ana Castillo's The GuardiansChapter 4. Rejecting National Mores/There is No Country for Homosexuals: Cherríe Moraga's The Hungry WomanSection II. CONTESTChapter 5. Contesting Love as Defined by Popular Culture/Redefining Self-Love: Denise Chávez' Loving Pedro InfanteChapter 6. Contesting the Nation-State's Reach for Power: Marcela Serrano's ...
